Archives For Interact

Articles on using interactivity in the online and offline spaces as an important tool for audience engagement

Twitter recently published it’s own blog article directed at musicians, offering advice on how better to use their service to connect with your fans.

Put this link in your ‘read later’ list, follow all the artists referenced in the article – because they’re all great examples of artists connecting with their fans really well – then get back to writing music or rehearsing. Because all the tweets in the world aren’t going to make you write better music!  Don’t ever lose sight of what is most important.

I’m excited to say that my panel topic has been accepted into the upcoming SXSW 2010 program, and I’m honored to have the opportunity to moderate this discussion.  Thanks to everyone who voted for it earlier this year!

In October I gave a talk on Communicating With Fans at the Halifax Pop Explosion Festival and Music Matters Conference.  I’ve received a lot of great feedback from that talk, and it prompted me to turn it into a free e-book, which I’ll make available here later in the new year.  But if you’d like to be one of the first people in the world to get it, all I ask is that you give me your input on the topic of my SXSW discussion.  See below…

The SXSW discussion will touch on the different ways artists communicate with their fans… raising and answering questions relating to sharing information, communication, and audience engagement… the how, the why, the when, and the what of sharing.

“A discussion on the ways artists use social networking tools to interact with fans, and how that affects their supposed “rockstar hero” status. Do fans really want to know every daily activity their favorite musicians do, or does sharing remove some of their unattainable magic? Can a balance be found?”

The panel will take place on the Saturday, March 21 and I hope anyone reading this who’s planning on attending the conference will attend.  I can’t say just yet who all will be on the panel, but it’s going to be great.

So now, I would like your input… I want to make the discussion everything you want it to be, so please email me or comment here and tell me your answers to the below four things… everyone who responds will be the first to get the Communicating With Fans e-book based on my talk earlier this year in Halifax.

Here’s what I’d like to know…

  • what tools you are using to communicate with your fans?
  • how often do you interact with them?
  • are your fans happy with your level of interaction or do they want more/less?
  • what tools/info/data/access that you don’t have now, would help you better communicate with your fans?

Thanks so much, your input is truly appreciated.

Try adding a hook!

Try adding a hook!

So if you’re in a band and you’ve decided that you need to post more updates on your site than you currently are, or if you want to try and make your updates a little more interesting (and who doesn’t?)… try applying more concept.  More of a “hook.”

Here’s what I mean… say for example, you just want to keep your site updated frequently, so you’ve decided you will write a daily blog for an upcoming tour… or you are going to implement a weekly update to post… don’t just write about what random stuff happened that day, or that week or whatever.  Posts like “so we woke up in the van, brushed our teeth in McDonalds bathroom, and set out on the road again… only to run out of gas, blow a tire, and overheat the engine all at once” are only okay if you’re REALLY interesting (best to assume you’re not), or if something really extraordinary happened… but for the most part, it will be generic updating of mundane life that isn’t going to really endear anyone to you, or make them want to come back to read the next one, or forward it to their friends…

One idea to make things more interesting, is to try coming up with a concept or theme for your updates… one band I know of wrote an entire tour blog where every entry was focused solely on documenting the unique filth and grunge that was the bathrooms at the bars they were playing in each night.  It was entertaining, and made me want to listen to the band, because I thought they were interesting.  Maybe you’ve got the opportunity to go on tour with your favorite band of all time, so you decide to write about your experience getting to know them, and watch them every night… even though it doesn’t actually talk so much about you or what you’ve done, that’s a great hook!  Not only does it show you’re excited about the tour, but you’re tapping into the other band’s audience as well, then they see how excited you are about seeing the other band, then they think you’re interesting and they’ll check your band out too.

Being more interesting isn’t the only reason to apply a stronger concept to your updates though… Something else happens when you’ve put the thought into it and come up with a hook for them too, and that is you’ll find them a lot easier to write because that extra bit of focus really helps to spur the creative juices on.  Before you know it, updates will be flowing out of you like crazy, they’ll be more interesting, more engaging, and more likely to create return readers.

And your own creativity is the only limit to what you could use as a hook, so since you’re all really creative musicians, this should be easy!  Have fun with it.

Vote For My Panel Picker Idea!

This is the subject of a panel topic I have submitted to SXSW2010.  The focus of the panel would be to have a discussion over the use of interaction and interactive tools, by bands and musicians.  Some musicians say they would rather remain private, and let their music do the speaking to the fans… others are more than happy to open up and communicate directly with fans.  Is one strategy better than the other?  Are they both mutually exclusive?  Do fans really want to know every daily activity their favorite musicians do, or does sharing too much remove some of the unattainable magic of being a star?

Here are some specific questions designed to lead the discussion:

  • I’m a musician, should I be blogging/twittering my life for my fans?
  • What tools are used online by fans and musicians to communicate?
  • Is there such a thing as sharing too much information?
  • How often should I be posting online?
  • What are a fans expectations regarding online interaction with musicians?
  • Does a musician need to answer every question/email/messageboard post/tweet send their way?
  • Can I communicate regularly while still maintaining my privacy?
  • What sort of things will a fan think is interesting reading online?
  • How can a mundane activity be turned into an interesting post that a fan might care about?
  • What if I want to remain mysterious? How do I do it, and can I get away with it? Will that hurt my career?
  • Does a developing artist have a different set of “rules of engagement” than a superstar artist?

If you like this topic, and think it would make a valuable addition to the discussions at SXSW2010, I would greatly appreciate it if you would vote for this topic to be added to the program.

SImply click the “Thumbs Up” image at the beginning of the article, and follow the instructions!

Thanks very much,

Ian

Managing Social Networks

August 3, 2009 — 1 Comment

privacypic1Myspace, Twitter, Facebook, LastFM, buzznet, Bebo, Xanga, Hi5, Youtube, Reverbnation, iLike, imeem, orkut, and the list goes on… there is seemingly a TON of different social networks that a band could potentially have a presence on.  The problem is, each one then requires updating and managing… which can become very time consuming.  The other problem is that these social networks seem to pop up all the time, there’s always new ones around the bend, and we’re now starting to see public perception shift away from some towards others.  So we have to start preparing for the fact that ones we’ve already been using might start to wane in popularity, being replaced by newer, better options.  It’s inconceivable to think they’ll be around forever.

So what do you do?  Spend all your time creating profiles on all these different sites, adding friends, interacting, posting the same update twenty times across all your platforms, and build up your networks only to have people lose interest in that site?  It can seem overwhelming.  How do you make all this work for you, without spending every waking minute of your days working on all this?

One way to make it manageable is to prioritize them.  There should be one main place on the internet that fans should become conditioned to understand is your “home” online.  This should be the place that all the other places online drive back to.  It should be the place that news gets posted first, new music is posted, videos premiered, tour dates get announced, everything.  Ideally, it should include a way for people to purchase products from you as well.  This should be your website, hosted at your own domain, that way you have control over it.  You also get access to all the metrics, traffic, geo-tracking, etc. so you can monitor your growth.  You should also be trying to build your own email contact list via the site, because email is still the main way of communicating between people online, and if the list is yours, you can control the communication.

Now, sure, it sounds like all the above things (news, music, video, tourdates, fan-messaging, etc.) can all take place via Myspace, or Facebook.  That is true.  They can.  But the difference is you don’t own Facebook, or Myspace.  All the user-data belongs to them, and for the most part you can’t get access to it, and therefore cannot learn from it.  You don’t have control over who’s a member and who isn’t, and you don’t have control over what rules they impose, or even when or if they shut the site down!  Imagine having build up your Myspace for years to the point where there were thousands and thousands of people there who actively wanted to connect with you, and then Myspace goes out of business.  What do you do now???  You suddenly would have no way of getting in touch with any of those people.  So be sure to be building your site and your email lists up first and foremost.

For your overall communication strategy, look at it like this… your website is there for the people who want to engage with your music, above anything else.  The time they spend on your website is all about you.  If they’re on your site, they’re actively paying attention to you, and you can speak to them that way.  All the other profile pages that you create on outside sites are there to speak to the people who are already using those sites, interacting with eachother.  Those people are on those sites interacting whether you are there or not.  You need to be on these sites so those people can find you and connect with you in the way they have already chosen.  You should not be spending your time trying to drive people to connect with you on any of those sites, instead you should be on these sites so that the people who already use that site can connect with you, and get information on you.  Keep a few of these sites updated regularly (I suggest Myspace, Facebook, and Twitter), but most importantly use these sites as ways to let people know that there are new things posted up on your website.  So a news item gets posted up on your site, then you post a facebook message, myspace post, and twitter a summary of that news item and give people a link to your website if they want to read more.

All the other social networks can also be similarly viewed (as ways for people who already use those sites to connect with you) but you don’t need to keep them completely updated all the time.  It’s okay to have fairly static pages on these sites, as long as they’re still complete.  They don’t need to have news, and tourdates, or other ever-changing info, but they should have bio, photos, music, and links to your other sites.  Create profile pages on these networks and set them up in such a way so that people who visit your page there will know where they should click through to, in order to find out where you really are engaging with fans online.  This can also be made even easier by services like Ping.fm that will actually update several social-networks at once… this is a perfect thing to use for these sites.  Drive these folk back to your Myspace, Facebook, and Twitter, and then ultimately back to your website.

If you imagine an upside-down triangle, split horizontally into three regions… the top level (the widest part of the triangle) is all your tertiary social network sites – all those drive down toward the next level, which represents your active social networks, like Myspace, Facebook and Twitter.  Then, in the end those continue to drive down to the bottom of the triangle, or the ultimate destination… your website, where exists your ultimate online home.  The real place in which you should want your fans to congregate and interact with you.

In A Band? Go See A Band

June 17, 2009 — 1 Comment
A great chance to support other bands.

A great chance to support other bands.

So it’s the kickoff to the North By Northeast music festival here in Toronto, which is Canada’s version of the SXSW fest.  NXNE isn’t anywhere near as big as it’s southern brother, but in some ways that’s better… you don’t feel like you miss out on as much.  Oh, there’s lots happening, more than enough to fill your evenings with many options of great bands at each timeslot, but not to the point where every show you choose to see means that you are choosing NOT to see ten other shows that you really wanted to see.  Maybe only five.

At any rate, the above is beside the point I’m going to make, though it’s the NXNE festival that was the inspiration for the post.  The fact is, there’s a ton of great bands out there and they’re all looking for support.  If you’re in a band, and you want people to come see you, why not return the favour, or better yet… why not just get out there and support some other bands, for the fun of it?  Not only is it going to be educational, in that you’ll get to see more about who else is out there playing around in your town, but you might see a good band, you might get inspired, you might make some friends, make contacts for future show swapping, meet a bar booker, a potential manager, who knows what can happen.  But bands need to support each other these days more than ever, so why not put yourself out there?  Just being out, supporting your local community of bands and bars is a good thing that will come back to pay off for you when you aren’t even expecting it.